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The 2025 Sovereign Asian Art Prize mobile image

The 2025 Sovereign Asian Art Prize

Launched in 2003, The Sovereign Asian Art Prize increases the international exposure of artists in the region while raising funds for programmes that support disadvantaged children using expressive arts.

Held annually, The Prize is now recognised as the most established and prestigious annual art award in Asia-Pacific.

View the shortlist below and vote for your favourite artist to be crowned Public Vote Prize Winner (closing 28 March). Artworks will be sold through Phillips New Now: Modern & Contemporary Art and Design Auction on 29 March. Click here to register. Selected works are available for immediate purchase, so don’t miss your chance to buy before they’re gone.

 

Shortlist

Angel Hui Hoi Kiu 
Angel Hui Pop Up Store - Handbag Series  image
VOTE NOW
Angel Hui Pop Up Store – Handbag Series 
Ant Ngai Wing Lam 
​​進入迴旋處 | When Entering The Roundabout​  image
VOTE NOW
​​進入迴旋處 | When Entering The Roundabout​
Arpita Akhanda 
Dendritic Data Ib  image
VOTE NOW
Dendritic Data Ib 
Awika Samukrsaman 
Louvers: Protection and Revelation  image
VOTE NOW
Louvers: Protection and Revelation 
Be Takerng Pattanopas 
Man from Venus  image
VOTE NOW
Man from Venus 
Cho Hyun Taek 
Stone Market-Hwasun  image
VOTE NOW
Stone Market-Hwasun 
Dawn Ng 
Volcano Blossoms  image
VOTE NOW
Volcano Blossoms 
Farhat Ali 
A world unfolded   image
VOTE NOW
A world unfolded  
Fu Xiao Tong 
97,650 Pinpricks  image
VOTE NOW
97,650 Pinpricks 
Harit Srikhao 
Can a Moth Remember Its Caterpillar Days?  image
VOTE NOW
Can a Moth Remember Its Caterpillar Days? 
Holly Greenwood 
After the game  image
VOTE NOW
After the game 
JIHEA KIM (Tina Kim)  
Connection of pain and hope 3  image
VOTE NOW
Connection of pain and hope 3 
Joydeb Roaza 
In Search of Indigenous people 2  image
VOTE NOW
In Search of Indigenous people 2 
Justin Lee 
The Yellow Line  image
VOTE NOW
The Yellow Line 
Kim, Jun Sik 
Red Meihua - the great selfie  image
VOTE NOW
Red Meihua – the great selfie 
Liu Wai Hang Ticko 
The journal of chasing sun  image
VOTE NOW
The journal of chasing sun 
Maharani Mancanagara 
Lauik Sati, Rantau Batuah #4  (The Magic Sea, The Fortunate Region #4)  image
VOTE NOW
Lauik Sati, Rantau Batuah #4  (The Magic Sea, The Fortunate Region #4) 
Mervy C. Pueblo 
Pasalubong 06: Determination  image
VOTE NOW
Pasalubong 06: Determination 
Miyeon Yi 
Our dog doesn't bite  image
VOTE NOW
Our dog doesn’t bite 
Mojahid Musa 
Assimilated Musing  image
VOTE NOW
Assimilated Musing
Najmun Nahar Keya 
Symphony of Words  image
VOTE NOW
Symphony of Words 
Naveed Sadiq 
Ibadat Khana I, II, III   image
VOTE NOW
Ibadat Khana I, II, III  
Nawin Nuthong 
Crows Fountain  image
VOTE NOW
Crows Fountain 
Ngo Dinh Bao Chau 
Diagram of the Repetition  image
VOTE NOW
Diagram of the Repetition 
Pam Virada 
Early Spring  image
VOTE NOW
Early Spring 
Praween Piangchoompu 
Beyond Remembrance  image
VOTE NOW
Beyond Remembrance 
Tan Zi Hao 
Bags of Stories, No. 80  image
VOTE NOW
Bags of Stories, No. 80 
Viriya Chotpanyavisut 
Sudden Brightening  image
VOTE NOW
Sudden Brightening 
Wonchul Lee 
TIME - Time outside the clock  image
VOTE NOW
TIME – Time outside the clock 
WONG Sze Wai 
Trio  image
VOTE NOW
Trio 
Yasmin Jahan Nupur 
Light to Dark  image
VOTE NOW
Light to Dark 
Yinling Hsu 
The Eras in Bottles  image
VOTE NOW
The Eras in Bottles 
Yujung Kim 
Island Swallowing the Moon, The Drifting Day   image
VOTE NOW
Island Swallowing the Moon, The Drifting Day  
Zelin Seah
It's just some scratches on my back  image
VOTE NOW
It’s just some scratches on my back
Zheng Mengqiang
An Afternoon in Homeland  image
VOTE NOW
An Afternoon in Homeland
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01 / 35

Angel Hui Hoi Kiu 

Angel Hui Pop Up Store - Handbag Series  image

Angel Hui Hoi Kiu 

Angel Hui Pop Up Store – Handbag Series 
Dimension: 29 x 43 x 105 cm
Medium: Porcelain paint on ceramic handbags, ready-made objects & mixed media
Country: Hong Kong 
Nominated by: Gary Mok
02 / 35

Ant Ngai Wing Lam 

​​進入迴旋處 | When Entering The Roundabout​  image

Ant Ngai Wing Lam 

​​進入迴旋處 | When Entering The Roundabout​
Dimension: 80 x 60 x 2 cm
Medium: Oil on wood panel
Country: Hong Kong 
Nominated by: Chloe Chow
03 / 35

Arpita Akhanda 

Dendritic Data Ib  image

Arpita Akhanda 

Dendritic Data Ib 
Dimension: 175.26 x 127 x 17.78 cm approx (without frame)
Medium: Paper weaving, Archival print on HahnemühlePhoto Rag paper 100% cotton 310 gsm
Country: India 
Nominated by: Sadya Mizan

 

 

 

04 / 35

Awika Samukrsaman 

Louvers: Protection and Revelation  image

Awika Samukrsaman 

Louvers: Protection and Revelation 
Dimension: 110 x 73 x 17
Medium: weaving textiles and laser-cutting acrylic, placed within an aluminum frame
Country: Thailand 
Nominated by: Jiradej Meemalai and Pornpilai Meemalai
05 / 35

Be Takerng Pattanopas 

Man from Venus  image

Be Takerng Pattanopas 

Man from Venus 
Dimension: 40 x 56 x 42 cm
Medium: Welded steel, oil paint, metal wires, haute-couture sequins and beads, and mixed media
Country: Thailand 
Nominated by: Brian Curtin
06 / 35

Cho Hyun Taek 

Stone Market-Hwasun  image

Cho Hyun Taek 

Stone Market-Hwasun 
Dimension: 140 x 64 x 5 cm
Medium: Landscape photography
Country: South Korea 
Nominated by: JeongMee Yoon
07 / 35

Dawn Ng 

Volcano Blossoms  image

Dawn Ng 

Volcano Blossoms 
Dimension: 123 x 123 x 5 cm
Medium: Acrylic paint, dye and ink on wood
Country: Singapore 
Nominated by: Lisa Botos, Seet Yun Teng   and Sofia Coombe 
08 / 35

Farhat Ali 

A world unfolded   image

Farhat Ali 

A world unfolded  
Dimension: 127 x 89cm
Medium: Indian permanent ink on arches paper
Country: Pakistan 
Nominated by: Adeel Uz Zafar
09 / 35

Fu Xiao Tong 

97,650 Pinpricks  image

Fu Xiao Tong 

97,650 Pinpricks 
Dimension: 80 x 60.5cm
Medium: Handmadepaper
Country: China 
Nominated by: Sovereign Art Foundation  

 

 

10 / 35

Harit Srikhao 

Can a Moth Remember Its Caterpillar Days?  image

Harit Srikhao 

Can a Moth Remember Its Caterpillar Days? 
Dimension: 112 x 167 x 3.5 cm
Medium: Photography Giclée print on ILFORD Galerie Gold Fiber Gloss 310 gsm, aluminum composite; wooden frame
Country: Thailand 
Nominated by: Brian Curtin
11 / 35

Holly Greenwood 

After the game  image

Holly Greenwood 

After the game 
Dimension: 111 x 137 x 4cm
Medium: Oil on Canvas framed
Country: Australia 
Nominated by: Tim Etchells
12 / 35

JIHEA KIM (Tina Kim)  

Connection of pain and hope 3  image

JIHEA KIM (Tina Kim)  

Connection of pain and hope 3 
Dimension: 116 x 87 cm
Medium: Photography
Country: South Korea 
Nominated by: Gunsoo Choi 
13 / 35

Joydeb Roaza 

In Search of Indigenous people 2  image

Joydeb Roaza 

In Search of Indigenous people 2 
Dimension: 152 x 106cm
Medium: Ink on paper
Country: Bangladesh 
Nominated by: Kehkasha Sabah and Sadya Mizan 
14 / 35

Justin Lee 

The Yellow Line  image

Justin Lee 

The Yellow Line 
Dimension: 150 x 150cm
Medium: Acrylic on Canvas
Country: Singapore 
Nominated by: Sofia Coombe
15 / 35

Kim, Jun Sik 

Red Meihua - the great selfie  image

Kim, Jun Sik 

Red Meihua – the great selfie 
Dimension: 70 x 125cm
Medium: Oil paint on Korean paper
Country: Taiwan 
Nominated by: Yoon Sub Kim
16 / 35

Liu Wai Hang Ticko 

The journal of chasing sun  image

Liu Wai Hang Ticko 

The journal of chasing sun 
Dimension: 130 cm x 150 cm x 5 cm
Medium: Oil on Linen
Country: Hong Kong 
Nominated by: Gary Mok
17 / 35

Maharani Mancanagara 

Lauik Sati, Rantau Batuah #4  (The Magic Sea, The Fortunate Region #4)  image

Maharani Mancanagara 

Lauik Sati, Rantau Batuah #4  (The Magic Sea, The Fortunate Region #4) 
Dimension: 100 x 140 x 4 cm (configuration)
Medium: Charcoal on recycled wood, thread
Country: Indonesia 
Nominated by: Shormi Ahmed
18 / 35

Mervy C. Pueblo 

Pasalubong 06: Determination  image

Mervy C. Pueblo 

Pasalubong 06: Determination 
Dimension: 110 x 110 x 10 cm
Medium: Wall bound sculpture framed on constructed acrylic box
Country: Philippines 
Nominated by: Rica Estrada 
19 / 35

Miyeon Yi 

Our dog doesn't bite  image

Miyeon Yi 

Our dog doesn’t bite 
Dimension: 91.5 x 122 x 4 cm
Medium: Egg tempera on wood panel
Country: South Korea 
Nominated by: Priscilla Kong
20 / 35

Mojahid Musa 

Assimilated Musing  image

Mojahid Musa 

Assimilated Musing
Dimension: 99 x 61 x 5cm
Medium: Variety color of Clay,aluminum net, adhesive, epoxy resin
Country: Bangladesh 
Nominated by: Kehkasha Sabah
21 / 35

Najmun Nahar Keya 

Symphony of Words  image

Najmun Nahar Keya 

Symphony of Words 
Dimension: 150x150x20 cm
Medium: Hand woven Tangail Sari (Traditional cloths), cotton, thread and nails. and a Still frame to hang the work
Country: Bangladesh 
Nominated by: Kehkasha Sabah
22 / 35

Naveed Sadiq 

Ibadat Khana I, II, III   image

Naveed Sadiq 

Ibadat Khana I, II, III  
Dimension: Triptych, 43 x 63.5 x 3.5 cm (each including frame)
Medium: Tea stain, natural pigment & shell gold on Indian Wasli paper
Country: Pakistan 
Nominated by: Adeel Uz Zafar
23 / 35

Nawin Nuthong 

Crows Fountain  image

Nawin Nuthong 

Crows Fountain 
Dimension: 50 x 50 x 90cm
Medium: Epoxy clay, wood, beads and cable ties
Country: Thailand 
Nominated by: Sakda Chantanavanich 
24 / 35

Ngo Dinh Bao Chau 

Diagram of the Repetition  image

Ngo Dinh Bao Chau 

Diagram of the Repetition 
Dimension: 50 x 110 x 28cm
Medium: Paper powder on silk, Wooden frame, Stainless steel
Country: Vietnam 
Nominated by: Tanya Michele Amador
25 / 35

Pam Virada 

Early Spring  image

Pam Virada 

Early Spring 
Dimension: 25.5 x 10.5 x 5.5 cm
Medium: V print on stainless steel, found tray, metal, candle
Country: Thailand 
Nominated by: Jiradej Meemalai, Pornpilai Meemalai and Sofia Coombe 
26 / 35

Praween Piangchoompu 

Beyond Remembrance  image

Praween Piangchoompu 

Beyond Remembrance 
Dimension: 122 x 5.5 x 83 cm
Medium: Technique Collage Cotton paper, Acrylic on canva
Country: Thailand 
Nominated by: Tom Van Blarcom
27 / 35

Tan Zi Hao 

Bags of Stories, No. 80  image

Tan Zi Hao 

Bags of Stories, No. 80 
Dimension: 68 x 150 x 9 cm
Medium: UV printing on fabric and lightbox
Country: Malaysia 
Nominated by: Sakda Chantanavanich 
28 / 35

Viriya Chotpanyavisut 

Sudden Brightening  image

Viriya Chotpanyavisut 

Sudden Brightening 
Dimension: 67 x 100 x 3 cm
Medium: Photography
Country: Thailand 
Nominated by: Sakda Chantanavanich 
29 / 35

Wonchul Lee 

TIME - Time outside the clock  image

Wonchul Lee 

TIME – Time outside the clock 
Dimension: 105 x 141 x 5cm
Medium: Pigment Print with Wood Frame
Country: South Korea 
Nominated by: JeongMee Yoon
30 / 35

WONG Sze Wai 

Trio  image

WONG Sze Wai 

Trio 
Dimension: 120 x150 cm
Medium: Ink, water-based color, color pigments, plaster and clay on canvas
Country: Hong Kong 
Nominated by: Chloe Chow and Priscilla Kong 
31 / 35

Yasmin Jahan Nupur 

Light to Dark  image

Yasmin Jahan Nupur 

Light to Dark 
Dimension: 145 x 130 x 7 cm
Medium: Pencil and Graphite (on paper)
Country: Bangladesh 
Nominated by: Kehkasha Sabah and Sadya Mizan 
32 / 35

Yinling Hsu 

The Eras in Bottles  image

Yinling Hsu 

The Eras in Bottles 
Dimension: 153 x 123 x 7cm
Medium: Oil on linen
Country: Taiwan 
Nominated by: Shormi Ahmed
33 / 35

Yujung Kim 

Island Swallowing the Moon, The Drifting Day   image

Yujung Kim 

Island Swallowing the Moon, The Drifting Day  
Dimension: 146 x 96 x 4cm
Medium: Fresco, Scratch on lime wall on a wooden panel
Country: South Korea 
Nominated by: Gunsoo Choi 
34 / 35

Zelin Seah

It's just some scratches on my back  image

Zelin Seah

It’s just some scratches on my back
Dimension: 116 x 60 x 2cm
Medium: Topographic maps washed, transferred, carved and burnt with soldering iron onto aluminum
Country: Malaysia 
Nominated by: Shormi Ahmed
35 / 35

Zheng Mengqiang

An Afternoon in Homeland  image

Zheng Mengqiang

An Afternoon in Homeland
Dimension: 110 x 150cm
Medium: Painting, Oil on canvas
Country: China 
Nominated by: Priscilla Kong
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Thanks for voting!

The Prizes

There are two cash prizes available to shortlisted artists. In addition, all finalists enjoy increased international exposure, top tier media coverage, and the opportunity to exhibit their work publicly in Hong Kong.

01
Grand Prize image

Grand Prize

Awarded to the artist with the highest aggregated score from the judges.

02
Vouge Women's Prize image

Vouge Women’s Prize

03
Public Vote Prize image

Public Vote Prize

Awarded to the artist with the most votes from the public.

SAAP Key Dates (1) SAAP Key Dates (1)

Key Dates

Nomination Deadline

— 4 October 2024

Shortlist Announcement

— 6 March 2025

Finalists Exhibition

21 — 29 March 2025

Winners Announcement

— 31 March 2025

Judges

David Elliott image
David Elliott
Writer, Curator and Museum Director
David Elliott image

David Elliott

Writer, Curator and Museum Director

David Elliott is a cultural and art historian, writer, curator and museum director primarily concerned with modern and contemporary art. Elliott was Director of the Museum of Modern Art in Oxford, England from 1976-96, Director of Moderna Museet in Stockholm, Sweden from 1996-2001, the founding Director of the Mori Art Museum in Tokyo, Japan from 2001-06, the first Director of Istanbul Modern, Turkey in 2007 and from 2016-2019, Vice-Director and Senior Curator of the Redtory Museum of Contemporary Art in Guangzhou. From 1998-2004, he was President of CIMAM (the International Committee of ICOM for Museums and Collections of Modern Art) and in 2008, the Rudolf Arnheim Guest Professor of Art History at Humboldt University, Berlin; from 2012 to 2017 he was a guest professor in curatorship at the Chinese University, Hong Kong. Since 2010. He has been the Artistic Director of biennales of contemporary art in Sydney, Kiev, Moscow and Belgrade and is currently working freelance as a writer and curator.

Prof. Dr. Apinan Poshyananda image
Prof. Dr. Apinan Poshyananda
Chief Executive and Artistic Director of Bangkok Art Biennale.
Prof. Dr. Apinan Poshyananda image

Prof. Dr. Apinan Poshyananda

Chief Executive and Artistic Director of Bangkok Art Biennale.

Professor Dr. Apinan Poshyananda was born in 1956. He received his Bachelor and Master Degree in Fine Arts from Edinburgh University and Ph.D. in History of Art from Cornell University. As an artist, he won 3 medals at the National Exhibition of Art, Thailand. He became professor at the Faculty of Fine and Applied Arts, Chulalongkorn University, Thailand. Poshyananda served as Director-General, Office of Contemporary Art and Culture, Director-General of Cultural Promotion Department, and the Permanent Secretary and Acting Minister, Ministry of Culture, Thailand, where he commissioned the Thai Pavilion at the 50th, 51st and 52nd Venice Biennale in 2003, 2005, 2007. 

He has curated and directed international art exhibitions in Asia, Europe, USA and Oceania including The 1st and 2nd Asia-Pacific Triennial (1993 and 1996, Australia), Contemporary Art in Asia: Traditions/Tensions (1996-1998, The Asia Society Galleries, Queens Museum, New York, Vancouver Art Gallery, Western Australia Art Gallery, Perth, Taiwan Museum of Fine Art); Asian Section, Sao Paolo Biennial, 1998); Temple of the Mind: Montien Boonma, (2001-2003), The Asia Society Galleries, New York, Asian Art Museum, San Francisco, The National Art Gallery, Canberra; Traces of Siamese Smile: Art + Faith + Politic + Love (2008, the inaugural exhibition of the Bangkok Art and Culture Centre (BACC)); Thai Transience (2013, Singapore Art Museum); Thailand Eye (2015, Saatchi Gallery, London and BACC); Chief Executive and Artistic Director, 1st, 2nd, 3rd Bangkok Art Biennale (2018, 2020, 2022). 

 Poshyananda is the author of several books on Thai and Asian art including Modern Art in Thailand in the 19th and 20thCenturies (1992); Western-style Painting and Sculpture in the Royal Thai Court (1993, 2 volumes), among others. He is a committee member of the Asian Council, the Solomon R. Guggenheim Museum, New York; Research committee of the National Gallery Singapore; Advisor to President and CEO, Thai Beverage Plc; and member of Art and Culture Development Committee, One Bangkok. He was conferred Knight Grand Cordon (Special Class) of the Most Exalted Order of the White Elephant, Thailand; Knight First Class of Royal Order of the Polar Star, Sweden; Knight, Order of the Star of Italian Solidarity, Italy and Officer of the French Arts and Letters Order, France. 

(Image courtesy Bangkok Art Biennale)

Haeju Kim image
Haeju Kim
Senior Curator and Head of Residencies at Singapore Art Museum
Haeju Kim image

Haeju Kim

Senior Curator and Head of Residencies at Singapore Art Museum

 Haeju has experience curating numerous contemporary art exhibitions and performance programs across various disciplines, with an emphasis on the body, time, and memory as key elements. Her work also engages with topics such as ecological perspectives, locality, migration and its planetary connections. She co-curated Asia Art Biennial 2024 in Taiwan and curated Singapore Pavilion at the Venice Biennale 2024. She was the Artistic Director for Busan Biennale 2022, and previously was the Deputy Director at Art Sonje Center in Seoul. 

Sameen Agha image
Sameen Agha
Artist, 2024 Grand Prize Winner
Sameen Agha image

Sameen Agha

Artist, 2024 Grand Prize Winner

Sameen Agha [b. 1992, Pakistan] lives and works in Lahore. Her practice explores the emotional landscape of the home while considering its social and physical attributes as they intersect with gender and self-identity. Working through her personal experience and memory, the works confront the complexities of loss, belonging and remembrance.

Agha works across sculpture, painting and installation. She uses materials often employed in the construction of homes and gravestones such as marble, metal and wood; casting, carving and finishing them by hand to retain gestures of touch and memory. The works utilise the interplay between strength and fragility, permanence and impermanence, to interrogate the meaning and experience of home.

She is the recipient of the 2024 Sovereign Asian Art Prize. Agha received a BFA from the National College of Arts, Lahore in 2016. Selected exhibitions include Booth F02, Indian Art Fair, Delhi, 2025; Catalyst, Indigo+Madder, London, 2024; Eclectic Mix 3.0, Sanat Initiative, Karachi, 2023; A flaneur’s guide to getting lost, Khamsa Gallery, 2022; SMOG Show, Zahoor Ul Ikhlaq Gallery, Lahore, 2021; Flower of a blue flame, Canvas Gallery, Karachi, 2021; Past, Present, Future, Koel Gallery, Karachi, 2021 and Self-portrait in the age of the selfie, COMO Museum, Lahore, 2019.

Dr. William Lim image
Dr. William Lim
Honorary Doctor of Arts and Sciences
Dr. William Lim image

Dr. William Lim

Honorary Doctor of Arts and Sciences

Graduated from the Department of Architecture, Cornell University, with a minor in Photography. William Lim has long been interested in art and architecture. His prestigious architecture company – CL3 has won numerous awards, such as the ‘DFA Design for Asia Awards’ and ‘Grand Award for Culture’ presented by the Hong Kong Design Centre (HKDC). He specializes in the production of large-scale art installations, and has recently begun to create oil paintings.

During his artistic career, he has participated in many international exhibitions including the Hong Kong Victoria Park “Lantern Wonderland”, the Venice Architecture Biennale held in Italy, the Hong Kong & Shenzhen Bi-City Biennale of Urbanism/Architecture, and the “Architecture and Heritage: Unearthing Future” exhibition held at the National Museum of Modern Art, Seoul, Korea in 2019. He also had his solo exhibition in July 2021, “A Year of Lost and Found” in Grotto Fine Art, showcasing his feelings in life during the outbreak of COVID. He also committed to promoting culture and education. He is a member of the Cornell University Board of Trustees, the Gallery Advisory Committee of Asia Society Hong Kong Centre, a Arts and Culture Council Member of Asia Society Hong Kong Centre and a museum expert adviser to the Hong Kong Leisure and Cultural Services. Department. In 2018, the Savannah College of Art and Design (SCAD) awarded him an Honorary Doctor of Arts and Sciences. In 2019, William donated 90 artworks of “Living Collection” to M+, a museum of visual culture in the West Kowloon Cultural District of Hong Kong, in which 70% of the pieces are from Hong Kong local artists.

Tim Marlow image
Tim Marlow
Chief Executive and Director, Design Museum
Tim Marlow image

Tim Marlow

Chief Executive and Director, Design Museum

Tim Marlow is Chief Executive and Director of the Design Museum in London.

Formerly Artistic Director of the Royal Academy of Arts and Director of Exhibitions at White Cube, Marlow has been involved in the contemporary art world for the past thirty years as a curator, writer and broadcaster.  He has worked with many of the most important and influential artists of our time to deliver wide-ranging and popular programmes and brings a commitment to diverse and engaging exhibitions to his new role showcasing the transformational capability of design.

Marlow sits on the Board of Trustees for the Imperial War Museum, Art on the Underground Advisory Board and Cultureshock Media. Marlow was awarded an OBE in 2019.

Nominators

Australia/
Alan Pigott
Alan Pigott image

Alan Pigott

Non-executive Director and Consultant

Alan Pigott is a non-executive director and advisor who brings experience in strategy, business planning, governance, people and culture to the Board. He has a deep working knowledge of the for-profit, not for profit sectors and public sectors. He is passionate about the visual arts sector in Australia.
Alan has held senior positions across all levels of government including the Premier’s Department of NSW and the Department of the Prime Minister and Cabinet. Before joining the private sector, Alan was the Deputy Chief Executive of Job Futures, a significant provider of employment services managing Federal and State Government contracts across 166, often remote locations.

Azerbaijan (Republic of)/
Amina Melikova

Amina Melikova

Bhutan/
Pema Tshering
Pema Tshering image

Pema Tshering

Artist

Pema (Tintin) Tshering is an artist from Thimphu, Bhutan whose work is presented through illustration, film, graphic novels, sculpture, installation, design, and painting. Tintin is one of the founding members of Voluntary Artist Studio Thimphu (VAST) set up in 1998 in Thimphu, Bhutan, where he continues to contribute as an educator, mentor and is on the Executive board. VAST was established as the first and only contemporary art organisation which philanthropically offers informal educational programmes for young people and adults. www.pematshering.com

Bangladesh/
Kehkasha Sabah
Kehkasha Sabah image

Kehkasha Sabah

Independent Curator and Researcher

Kehkasha Sabah (b.1985, Bangladesh) is an independent curator and researcher with a decade of experience working locally and internationally. Her artistic approach intersects art, culture, pedagogy, technology, policy, archiving, and art policy discussions shaping new narratives. Kehkasha’s contributions to national and international art projects have garnered acclaim. Her recognition in the Swedish contemporary art journal, C-Print, in 2021, underscores her expertise and success. She is currently, pursuing her academic research to develop curatorial methodologies in post-pandemic and posthuman societies, and she is also a Curatorial fellow in the ‘Art Exchange: Moving Image 2024’ UK.

Nadia Samdani MBE
Nadia Samdani MBE image

Nadia Samdani MBE

President and Co-founder, Samdani Art Foundation

Nadia Samdani MBE is an art collector and philanthropist. She is Co-founder and President of the Samdani Art Foundation and Director of the Dhaka Art Summit (DAS). She was appointed Member of the Order of the British Empire (MBE) in 2022 for her support of the arts in South Asia and the UK. She has received the Knight of the Order of the Arts and Letters by the Cultural Ministry of France, and the prestigious Montblanc de la Culture Arts Patronage Award. She is a founding member of The Harvard University Lakshmi Mittal South Asia Institute’s Arts Advisory Council and part of Tate’s South Asia Acquisitions Committee, Tate’s International Council, and Alserkal Avenue’s Programming Committee.  www.samdani.com.bd

Sadya Mizan
Sadya Mizan image

Sadya Mizan

Independent Curator and Researcher

Sadya Mizan a pioneering curator from Bangladesh and project director of Uronto Artist Community. As a researcher she has contributed globally to a wide range of distinguished institutions and organisations including the Samdani Art Foundation, Asia Art Archive, Edinburgh University, University of Amsterdam, Visva Barhati Shantiniketa, Savvy Contemporary – Berlin, the Office for Contemporary Art – Norway, as well as UN migration wing IOM and the British Council, amongst others. She is a fellow at the Akademie of Schloss Solitude in Germany and a Commonwealth Scholar. She advocates for preservation of cultural heritage, oral history archive and motivate contemporary social creative practices. www.urontoart.org

Hong Kong/
Chloe Chow
Chloe Chow image

Chloe Chow

Head of Exhibition and Programmes, WMA

Hong Kong-born curator Chloe Chow is now the Head of Exhibitions and Programmes at WMA, a non-profit platform dedicated to facilitating greater understanding of Hong Kong through lens-based art form. Her curatorial approach focuses on making connections between different visual culture items to explore the social concerns and sentiments within. Her recent exhibitions include ‘Chan Hau Chun: Silent Sojourns‘ (WMA, 2024), ‘Yip Kin Bon: Overriding the Light of Day’ (WMA, 2023), and co-curated exhibitions ‘Hong Kong: Here and Beyond’ (M+, 2021). Recent publications include Ling Pui Sze: Every Little Unit (2022) and Hong Kong Visual Culture: The M+ Guide (2022).

Cyrus Lamprecht
Cyrus Lamprecht image

Cyrus Lamprecht

Curator

Cyrus Lamprecht attended Central Saint Martins College of Art and Design, where he earned a Master of Research (Art) degree in Theory and Philosophy. He has showcased mixed-media artworks that include installations and performances in London, Hong Kong, and Taiwan. Lamprecht focuses on themes of existence and solitude in his artistic endeavors.

Lamprecht delivered a TEDx speech on absurdism and released his debut novel in 2018. He contributes art criticism and essays to literary platforms in Hong Kong and the United Kingdom. He has curated projects including “The Elegance of Solitude” and “Aquarius: The Jar of Pandora.” In 2023, he published an anthology titled “The Durum Wheat.” https://linktr.ee/cyruslamprecht

India/
Kurchi Dasgupta

Kurchi Dasgupta

Kazakhstan/
Vladislav Sludskiy
Vladislav Sludskiy image

Vladislav Sludskiy

Curator, Art Consultant

Prior to his role as an art consultant, Vladislav Sludskiy served as a director and curator of Ethan Cohen Gallery in New York, where he organized and co-curated solo and group exhibitions.

A native of Almaty, Kazakhstan, Vladislav co-founded and ran ARTBAT FEST, an annual international contemporary art festival serving the Central Asian region since 2010. He is the co-founder and curator for the Eurasian Cultural Alliance (ECA) which has been spearheading educational initiatives across the region and fostering cultural exchange between Kazakhstan and the global art community.

Qazart.com / cultura.kz

Malaysia/
Lim Wei Ling
Lim Wei Ling image

Lim Wei Ling

Curator

A jewellery designer and art history major by training, Wei Ling has been duly recognised for her contribution and efforts towards the development of the Malaysian art scene, through numerous awards and nominations. In 2018, she was appointed by Malaysia’s Ministry of Tourism, Arts and Culture (MOTAC) to curate and spearhead the country’s first pavilion at ‘The 58th La Biennale di Venezia (Venice Biennale)’.

Zena Khan
Zena Khan image

Zena Khan

Curator

Curator of The AFK Collection, Zena Khan produces exhibitions and publications to build knowledge on emerging art ecologies. Selected museum publications include ‘Aku… Dalam Mencari Rukun’ (2018) published by National Visual Art Gallery Kuala Lumpur, ‘Siri Rasa Bertuhan’ (2014) published by Pahang State Museum, ‘Every Color is a Shade of Black’ (2024) Hamra Abbas’ monograph published by COMO Museum and the inaugural Malaysian Pavilion at the 58th Venice Biennale (2019). Selected international exhibitions include ‘Homing In’ (2021) commissioned by Arts Council England and Platform Asia (UK), ‘Past’ (2018) at Battersea Power Station and ‘Open House’ (2017) at Delfina Foundation. https://www.afkcollection.com

Nepal/
Sangeeta Thapa
Sangeeta Thapa image

Sangeeta Thapa

Founder/Director

Sangeeta Thapa founded Siddhartha Art Gallery in 1987 with eminent artist Shashikala Tiwari. She has curated over 600 shows of Nepali and international artists. She regularly gives consultations to collectors of Nepali art and initiates community art projects. She served on the Board of Patan Museum for six years and is a Fellow of the De Vos Institute of Arts Management. In 2009, she launched Nepal’s premier art event The Kathmandu International Arts Festival (KIAF) as a tri-annual event. In 2011, she established the Siddhartha Arts Foundation as a non-profit and organized the second edition of the Kathmandu International Arts Festival in 2012, through the Foundation.

In 2016, Ms. Thapa co-curated the first exhibition of contemporary Nepali art at the Moesgaard Museum in Arhus, Denmark.

In 2015, the Great Earthquakes struck Nepal causing a huge loss of lives and damage to homes and heritage sites. Taking this into account the third iteration of the Festival was postponed to 2017. In 2016, the Foundation decided to morph the Festival into a Triennale format and was recognized by the Biennale Foundation in Italy. The 2017 edition was curated by Philippe Van Cauteren from the S.M.A.K. Museum in Ghent, Belgium. The 2020 edition was also postponed due to the coronavirus pandemic and took place in March 2022. The edition was led by the artistic director Cosmin Constinas from Para Site Hong Kong and Nepali curators Sheelasha Rajbhandari and Hitman Gurung.

In 2021 , as a precursor to to the Triennale a selection of the works were showcased at Para Site Hong Kong. Post the Triennale a selection of the works were showcased at SAAVY contemporary in Berlin. In the same year the Siddhartha Arts Foundation served as the co commissioner of the Nepal Pavilion at the Venice Biennale which featured the works of Ang Tsherin Sherpa. In December 2022 the Siddhartha Art Foundation showcased works by Nepali artists at the Kochi Biennale.

Ms. Thapa is the publisher of four volumes of poetry: Khulla Dhoka, Nirantar Khulla Dhoka, A Thousand Earths Thousand Skies, and Even the Moonlight can Burn. She has written a book on the drawings of Nepali artist Manuj Babu Mishra entitled ‘In the Eye of the Storm’ and has written essays on contemporary Nepali art in the Gallerie Magazine (India) and for the Nepal Art Now exhibition catalog printed by the Welt Museum, Vienna. She has also contributed her essays to Telling a Tale, a publication of women’s’ narratives, Nukta Art Magazine (Pakistan), and the VOW Magazine in Nepal. Ms. Thapa has been invited in the capacity of a speaker to Art Basel Hong Kong, New North-South Dialogue organized by the British Council and Manchester University in Sri Lanka, the Asian Curatorial Forum Dhaka, and to a panel on South Asian art organized by the Habiart Foundation, New Delhi.

In 2023, she received the President’s medal ‘Kala Sumbardhak Award’ for her contribution to uplifting and supporting the arts scene in the country and in the same year received the ‘Kala Prabhandak Award’ from the Nepal Academy of Fine Arts in recognition for promoting the arts of the country over 35 years.

New Zealand/
Tim Etchells

Tim Etchells

Pakistan/
Adeel Uz Zafar
Adeel Uz Zafar image

Adeel Uz Zafar

Assistant Professor, Foundation Programme at Indus Valley School of Art & Architecture, Karachi

Adeel uz Zafar is an artist, curator and art educator. Zafar holds a Bachelor of Fine Arts from National College of Arts, Lahore. Zafar’s works have been featured in several national and international exhibitions including 11 solo shows and numerous group shows. He has also presented works in international art fairs and participated in both national and international residencies. He is represented by FOST Gallery, Singapore & Aicon Contemporary, NY. Zafar currently serves as a Faculty member at IVS,Karachi. Two of his nominees Ahmed Javed & Sameen Agha was awarded SAAP in 2019 & 2024. www.adeeluzzafar.com

 

 

Amra Ali
Amra Ali image

Amra Ali

Freelance Art Critic and Curator

Amra Ali is a Karachi based art critic and curator. She has been writing reviews and essays in local and international publications on art in Pakistan since 1900. She is a co-founder of Nukta Art, a first bi annual publication on art in Pakistan. She has been the secretary of AICA Pakistan, a subsidiary of the International art critics association, Paris. Amra has many curatorial projects to her credit, among them is the mini retrospective of Rasheed Araeen, titled, ‘Homecoming Rasheed Araeen’ in 2014-15, at the VM Gallery. She has edited the publication, Rasheed Araeen, Homecoming. The emphasis of her curatorial work is to locate links between her critique viz a viz gallery spaces.

Philippines/
Carlos Jr Quijon
Carlos Jr Quijon image

Carlos Jr Quijon

Curator, Philippine Pavilion, Venice Biennale 2024

Carlos Quijon, Jr. is an art historian, critic, and curator based between New York and Manila. He is a fellow of the research platform Modern Art Histories in and across Africa, South and Southeast Asia (MAHASSA), convened by the Getty Foundation’s Connecting Art Histories project. He writes exhibition reviews for Artforum and has essays published in e-flux, frieze, ArtReview Asia among others, and his research is part of the book From a History of Exhibitions Towards a Future of Exhibition-Making (Sternberg Press, 2019). He is the curator of the Philippine Pavilion at the 60th Venice Biennale.

Portia Placino
Portia Placino image

Portia Placino

Curator and Arts Writer

Portia Placino is a curator and independent arts writer based in Manila, Philippines. She currently runs the JCB Gallery at Philippine Women’s University. Her writings appeared in ArtAsiaPacific, ArtReview, ArtSG, Art+ Magazine, Spot.ph, Esquire Philippines, and several local and international academic publications. She received research and writing residencies and grants in the Philippines, Germany, Korea, and Belgium. She scrutinizes and situates marginal and off-center art practices including regional contemporary art, feminist perspectives, and sociopolitical currents in her curatorial work. Her writing projects examine the position of contemporary art in an embattled society. https://portiaplacino.com/

Rica Estrada-Uson
Rica Estrada-Uson image

Rica Estrada-Uson

Director, Visual Arts and Museum Division, Cultural Center of the Philippines
Regional/
Gary Mok

Gary Mok

Lisa Botos
Lisa Botos image

Lisa Botos

Curator and Art Advisor

Lisa Botos has built a global career delivering art and culture for diverse entities, from foundations to artists to nations, including Swire, WYNG Foundation, and the Kingdom of Bhutan. In Hong Kong, she co-founded OOI BOTOS gallery and Art Unchained. In 2013, she served as guest curator for the Vladivostok Biennale of Visual Arts. As a senior editor at TIME, Lisa led an award-winning photo department. A founding partner of the advisory Private Partners & Co., Lisa counsels families on cultural legacy. She holds an MA with honors in international communication, focusing on visual culture, from American University, and is a fellow of Hong Kong University’s ACLP and BeFantastic ArtTech. Read more here.

Naima Morelli
Naima Morelli image

Naima Morelli

Journalist, Arts Writer

Naima Morelli is an arts writer and journalist specialized in contemporary art from Asia-Pacific and the MENA region.

She has written for the Financial Times, Al-Jazeera, The Art Newspaper, ArtAsiaPacific, Internazionale and Il Manifesto, among others, and she is a regular contributor to Plural Art Mag, Middle East Monitor and Middle East Eye as well as writing curatorial texts for galleries.
She is the author of three books on Southeast Asian contemporary art. www.naimamorelli.com

Priscilla Kong
Priscilla Kong image

Priscilla Kong

Arts Strategist, Founder of Pistachio Kernel
Sheida Ghomashchi
Sheida Ghomashchi image

Sheida Ghomashchi

Curator

Born and raised in 1980,Tehran, Iran, Sheida Ghomashchi works as an independent curator in Milan, Italy. She has been part of various projects including: Co-curator of “Dixit Algorizmi, The Garden of Knowledge”, the fisrt natioonal pavilion of Uzbekistan in Venice Biennale of Art, 2022.

Co- Curator of “ Dixit Algorizmi”, International exhibition, CCA, Tashkent, Uzbekistan, 2021. Fellow at Floating University, Forensic Architecture Group, Berlin, Germany. Curator of “Archive Alive!”, Exhibition of Ramak Fazel, Kandovan, Pejman Foundation, Tehran, Iran. Fellow of “Ideas City – Detroit”, New Museum of New York, USA. Researcher in Urban Research program, BAUHAUS, Dessau, Germany.

Shormi Ahmed
Shormi Ahmed image

Shormi Ahmed

Art Practitioner

Shormi A. is an art practitioner from Hong Kong. She was the Head of Arts at Duddell’s Hong Kong and has executed several public art projects including Carnival – fundraiser for Amnesty International HK (Hong Kong), Art in the Bar for CoBo Social (Hong Kong). She curated Code Blue at the Taipei Contemporary Art Centre and co-curated 在/不在 | Negation of You (Taipei) at Nanhai Art Gallery. She studied at the University of Hong Kong and completed her MA in Curatorial Studies at the National Taipei University of Education (Taiwan). https://www.behance.net/shormia

Sofia Coombe
Sofia Coombe image

Sofia Coombe

Independent Curator

Sofia is an independent curator, researcher and art advisor who holds a Masters of Asian Art Histories from Goldsmiths University of London through LASALLE College of the Arts, Singapore. She spent over a decade in Southeast Asia, working in both the institutional and commercial realms of the regional arts ecosystem. Sofia is now based in London where she co-founded Art World Database, an online platform for Southeast Asian contemporary art, whilst also curating exhibitions with Peruke Projects, an art consultancy presenting curatorial projects for international contemporary artists. www.perukeprojects.com, www.artworlddatabase.com

Tanya Michele Amador
Tanya Michele Amador image

Tanya Michele Amador

Curator and Writer

Tanya is the co-founder of the website ArtWorldDatabase.com, a website dedicated to promoting and supporting Southeast Asian contemporary art. Before moving to London in 2020, she lived and worked in Singapore for 11 years where worked as an independent curator and published art writer. She holds a Masters degree from Goldsmiths University of London in Asian Art Histories and is dedicated to working with artists living in the diaspora and presenting curatorial projects as part of the Peruke Projects team. www.artworlddatabase.com

Singapore/
Daryl Goh
Daryl Goh image

Daryl Goh

Entrepreneur

Daryl Goh is a startup-advisor, angel investor and art critic/collector who holds 2 Masters Degrees and authored Design Innovation for Everyone (2023). Daryl is also the designer behind Asia’s first-ever phy-gital retail experience – Zhuang: Home of Singapore Designers that kickstarted an industry trend towards digital retail spaces. The technopreneurship & fashion scholar previously started Singapore’s first free art residency, NPE Art Residency and has judged for multiple prominent art awards. www.darylgoh.com

Seet Yun Teng
Seet Yun Teng image

Seet Yun Teng

Curator

Seet Yun Teng is a Singapore-based curator, producer, and writer. A keen alignment to the material world and embodied processes underlies her approach. With an interest in alternative formats of exhibition-making and interdisciplinary collaborations, she has curated and produced across a range of exhibitions, events and platforms. These include Appetite, Arts-Business x Business-Arts Residencies, Feelers, NTU Centre for Contemporary Art Singapore, Objectifs Centre for Photography and Film, Supernormal, and Constance Howard Gallery and Goldsmiths Textile Collection London, amongst others. She received an Honourable Mention (Curator Category) in the 2021 IMPART Awards. www.yuntengseet.com

South Korea/
Gun Soo Choi
Gun Soo Choi image

Gun Soo Choi

Photographer, Image Critic and Professor

For 40 years, Gun Soo Choi has been an image critic, photographer, and university professor. he has published 12 photographic books and held 10 individual exhibitions.

JeongMee Yoon
JeongMee Yoon image

JeongMee Yoon

Professor

Born in Seoul, South Korea in 1969, she majored in painting at Seoul National University, Seoul, photography design at Hongik University, Seoul, and studied at the School of Visual Arts, New York, USA.

As a winner of the Daum Prize in 2006, she held a successful solo exhibition at Kumho Museum of Art in South Korea, and ‘The Pink and Blue Project‘ book was published by the Parkgeonhi Foundation (Seoul, South Korea) in 2007, and ‘Animal Companions’ book was published by IANN publisher (Seoul, South Korea) in 2015.

Also, In 2011, She won the first Prize at The Sovereign Asian Art Prize, Hong Kong with ‘The Pink & Blue Project II’, and the Ilwoo Photography Award in Seoul, South Korea. www.jeongmeeyoon.com

Yoon Sub Kim

Yoon Sub Kim

Taiwan/
Nobuo Takamori
Nobuo Takamori image

Nobuo Takamori

Independent Curator
Thailand/
Brian Curtin
Brian Curtin image

Brian Curtin

Art Critic and Educator

Brian Curtin is an Irish-born art critic and lecturer. From 2007-18 he worked as an independent curator of contemporary art and now works on commission. He holds a Ph.D. in studio art from the University of Bristol and has been based in Bangkok since 2000. He has lectured in art history, visual culture, and studio courses at the Faculty of Architecture of Chulalongkorn University, Bangkok, since 2006. Brian is one of the curatorial team for the Bangkok Art Biennale 2024. www.brianacurtin.com

Jiradej Meemalai and Pornpilai Meemalai
Jiradej Meemalai and Pornpilai Meemalai image

Jiradej Meemalai and Pornpilai Meemalai

Artist and Curator

Jiandyin, interdisciplinary duo artists and curators, live and work in Ratchaburi, Thailand, grantees of the Asian Cultural Council Fellowship, New York, 2009, invited committees of 22nd Silpa Bhirasri Creativity Grants, Art Centre Silpakorn University, Thailand. Exhibitions include: 2024 FutureOurs Art2030, New York, Nomadic, Jim Thompson Art Center, Thailand, 2024 Jakarta Biennale, Indonesia, 2021 Busan Sea Art Festival, South Korea, 2019 Asian Art Biennial, Taichung, Taiwan. They found Baan Noorg Collaborative Arts and Culture, a non-profit artist initiative, located in Ratchaburi, Thailand, recently participated in Thailand Biennale Chiang Rai, 2023 and documenta fifteen, 2022, Germany.

jiandyin.com, baannoorg.org

Sakda Chantanvanich
Sakda Chantanvanich image

Sakda Chantanvanich

Art Collector and Patron

Sakda Chantanavanich is a Bangkok-based collector deeply engaged with Thailand’s contemporary art scene. For nearly a decade, he has been a key supporter of artists, collectives, curators, and art spaces, including Speedy Grandma and Waiting You Curator Lab, through funding for production, activities, and exhibitions. Committed to fostering artistic freedom, Sakda prioritizes collecting works of less conventional media on themes of environmental issues and social concerns by young and pre-emerging artists from Thailand and Southeast Asia. His collection includes works from Ruangsak Anuwatwimon, Aracha Cholitgul, Chris Chong Chan Fui, Ho Rui An, and Chulayarnnon Siriphol.

Tom Van Blarcom

Tom Van Blarcom

Türkiye/
Fisun Yalçınkaya

Fisun Yalçınkaya

Matt Hanson
Matt Hanson image

Matt Hanson

Art writer

Matt A Hanson is an art writer, freelance journalist and editor from Massachusetts, based in Istanbul since 2016. He has participated in the editorial productions of every major cultural institution in Turkey, including Salt, Arter, Sakip Sabancı Museum, Istanbul Modern, and a host of others, while producing a regular variety of articles on topics ranging from literature in translation to the history of minorities. As a contributor to ArtAsiaPacific, Artforum, ARTnews, Artnet News, Hyperallergic and many leading arts and culture publications internationally, he covers the art world as the result of critical and long-term community engagement in Turkey, Europe, America and beyond. www.fictivemag.com

Sponsors and Supporters

SAAP Logo
Organiser
Sovereign Group Logo
Grand Prize Sponsor
Phillips
Auction Partner

VOGUE_cropped
Women’s Prize Sponsor
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Media Partner

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Media Sponsor

Testimonials

Sameen Agha | 2024 Grand Prize Winner image
Michelle Fung | 2024 Vogue Hong Kong Women's Art Prize Winner image
Demet | 2024 Public Vote Prize Winner image
Alisa Chunchue | 2023 Vogue Hong Kong Women's Art Prize Winner image
Parul Gupta | 2023 Grand Prize Winner image
Cop Shiva | 2023 Public Vote Prize Winner image
01

Sameen Agha | 2024 Grand Prize Winner

It is an incredible honour to be awarded The 2024 Sovereign Asian Art Grand Prize. I am thrilled and deeply grateful for this recognition. This award is a significant milestone for my career, and I am profoundly appreciative and thankful for the acknowledgment and support. I extend my heartfelt thanks to Adeel Uz Zafar for nominating me and believing in my practice. It is a huge privilege to showcase my work on the prestigious platform provided by The Sovereign Art Foundation

02

Michelle Fung | 2024 Vogue Hong Kong Women’s Art Prize Winner

“I am absolutely thrilled to have been awarded the Vogue Hong Kong Women’s Art Prize Winner. I would like to extend the gratitude to Kurt Chan my nominator, the Sovereign Art Foundation team and esteemed judges for understanding me. Finally, of course to Vogue who supports this prize. It’s not easy to be an artist, and it’s even more difficult to do it in a woman’s body. Thank you for recognising that”

03

Demet | 2024 Public Vote Prize Winner

“I am incredibly grateful, heartfully thankful for selecting me as a finalist and to be the recipient of the Public Vote Prize. I am forever thankful for this not only for the recognition, but also the opportunity to share my work and take part in the Sovereign Foundation’s noble cause.  To the SAF team, please continue to carry on the foundation’s objectives and goals. To the dedicated team, I really appreciate all your hard work”
04

Alisa Chunchue | 2023 Vogue Hong Kong Women’s Art Prize Winner

“Staying true to oneself and fearlessly facing physical and mental challenges have been fundamental to my practice. This award marks a memorable moment in my career. I wholeheartedly dedicate this Vogue Hong Kong Women’s Art Prize to all incredible women who exhibit unwavering dedication to artistic pursuits and achieve in every role we undertake.”

05

Parul Gupta | 2023 Grand Prize Winner

“It is a moment of great pride and honour for me to receive this award, which in the past has nominated and awarded artists who have distinct and inspiring practices… I would like to add here that I do not come from an art background, and I started practising art much later in life. I took many detours before I realised that it’s only through art that I can live a life I desire for myself – a life that is truly independent.”

06

Cop Shiva | 2023 Public Vote Prize Winner

“I’m thrilled to be this year’s Sovereign Asian Art Prize Public Vote Prize Winner. I am very proud to be part of this great platform for the region’s art and artists, and grateful for the opportunity to engage with the Asian art community in Hong Kong – the heart of the continent.”

How It Works

01

Nomination and Shortlisting

The Prize invites contemporary artists, nominated by a board of independent art professionals, to each enter up to three artworks online. A judging panel comprised of world-class art experts then shortlists the 30 best artworks from a range of digital images. Click here for T&Cs.

02

Exhibition

The shortlisted artworks are exhibited in Hong Kong. Members of the public can enjoy the artworks and engage in the public vote. Local students are offered the opportunity to engage in educational programming.

At the exhibition, the artworks are judged for a second time and voted on by the public. The judges scores are aggregated, and a Grand Prize winner is named.

03

Public Vote

To increase exposure for the artists, the general public are invited to cast a vote online or in person for their favourite shortlisted artwork. The most popular artwork is awarded the Public Vote Prize.

04

Charity Auction

The shortlisted artworks, besides the Grand Prize winner, are auctioned and proceeds are split evenly between the artists and SAF’s expressive arts programming. Click here to learn more about the cause.

Artists receive the same split as they would through a gallery and the artworks often fetch higher prices thanks to generous bidding from charity patrons.

FAQ

01
What are the benefits to participating artists?

There are numerous benefits to participating artists, including:

  • Two cash prizes available: US$30,000 Grand Prize and USD1,000 Public Vote Prize.
  • Inclusion in public exhibition in high-profile venue in Hong Kong.
  • Increased profile through multi-channel marketing campaign.
  • Artwork included in charity sale and promoted to art buyers, with artist receiving 50% of sale proceeds.
  • Opportunity to network with fellow artists across the region.
  • Opportunity to contribute to a meaningful project that raises funds for an important charitable cause.
02
As an artist, how can I enter the Prize?

Entry to the Prize is by nomination only. If you wish to enter, we recommend you connect with one of our regional nominators and ask them to consider nominating you.

03
Are their any specific artwork requirements?

In order to be eligible for the Prize, we require that artworks adhere to the following:

  • 2D artworks cannot exceed 150cm x 150cm.
  • 3D artworks cannot exceed 150cm x 50cm x 50cm.
  • We do not accept purely audio, video or other time-based media art or performance art. Multi-media works which contain a video or media component will be considered on a case-by-case basis.
04
How can I become a nominator?

We are always looking to expand our network of nominators. Nominators should have a certain expertise in art from Asia-Pacific, and have no commercial affiliation with their nominees. To apply to be a nominator, please get in touch.

05
Is it free for artists to participate?

It is free for artists to enter the Prize online. Once shortlisted, artists are responsible for any production costs associated with their shortlisted artwork. Artists are also responsible for their own shipping costs to Hong Kong. For details, please read section 6.2 of our T&Cs.

06
Where do artwork sales proceeds go?

Proceeds from artwork sales are spilt equally between the artist and The Sovereign Art Foundation. We use our portion to help fund our expressive arts programmes for children from low-income backgrounds and with special educational needs. Learn more about our mission here.

Prize Winners and Previous Finalists

2024

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Sameen Agha
Pakistan
Sameen Agha art
Public Vote Prize Winner
Demet
Philippines
Demet art
Vogue Hong Kong Women’s Art Prize Winner
Michelle Fung
Hong Kong
Michelle Fung art

2023

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Parul Gupta
India
Parul Gupta art
Public Vote Prize Winner
Cop Shiva
India
Cop Shiva art
Vogue Hong Kong Women’s Art Prize Winner
Alisa Chunchue
Thailand
Alisa Chunchue art

2022

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Azin Zolfaghari
Iran
Azin Zolfaghari art
Public Vote Prize Winner
Faezeh Baharloo
Iran
Faezeh Baharloo art
Vogue Hong Kong Women’s Art Prize Winner
Marium Agha
Pakistan
Marium Agha art

2021

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Li Binyuan
China
Li Binyuan art
Public Vote Prize Winner
Imtiaj Rasel
Bangladesh
Imtiaj Rasel art
Vogue Hong Kong Women’s Art Prize Winner
Rithika Merchant
India
Rithika Merchant art

2020

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Alex Seton
Australia
Alex Seton art
Public Vote Prize Winner
Made Wiguna Valasara
Indonesia
Made Wiguna Valasara art
Vogue Hong Kong Women’s Prize Winner
Saba Qizilbash
Pakistan
Saba Qizilbash art

2019

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Ahmed Javed
Pakistan
Ahmed Javed art
Public Vote Prize Winner
Munawar Ali Syed
Pakistan
Munawar Ali Syed art
Vogue Hong Kong Women’s Prize Winner
Fuxiaotong
China
Fuxiaotong art

2018

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Halima Cassell
Pakistan
Halima Cassell art
Public Vote Prize Winner
Onaiz Taji
Pakistan
Onaiz Taji art

2017

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Hongbo Li
China
Hongbo Li art
Public Vote Prize Winner
Yogie Achmad Ginanjar
Indonesia
Yogie Achmad Ginanjar art

2016

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Baptist Coelho
India
Baptist Coelho art
Public Vote Prize Winner
Alfredo and Isabel Aquilizan
Philippines
Alfredo and Isabel Aquilizan art

2014

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Anida Yoeu Ali
Cambodia
Anida Yoeu Ali art
Schoeni Prize Winner
Alia Bilgrami
Pakistan
Alia Bilgrami art

2013

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Wong Adrian
Hong Kong
 Wong Adrian art
Schoeni Prize Winner
Chong-Il Woo
Korea
Chong-Il Woo art

2012

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Gutierrez + Portefaix
Korea
Gutierrez + Portefaix art
Schoeni Prize Winner
Mark Salvatus
Philippines
Mark Salvatus art

2011

Prize Winners and Previous Finalists arrow
Grand Prize Winner
JeongMee Yoon
Hong Kong
JeongMee Yoon art
Schoeni Prize Winner
Chong-il Woo
Korea
Chong-il Woo art

2010

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Somapala Pothupitiye
Sri Lanka
Somapala Pothupitiye art
Schoeni Prize Winner
Anthony Del Castillo
Philippines
Anthony Del Castillo art

2009

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Debbie Han
Korea
Debbie Han art
Schoeni Prize Winner
Miguel Payano
China
Miguel Payano art

2008

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Chow Chun Fai
Hong Kong
Chow Chun Fai art
Schoeni Prize Winner
Mor Mor
Myanmar
Mor Mor art

2007

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Kumi Machida
Japan
Kumi Machida art
Schoeni Prize Winner
Haris Purnomo
Indonesia
Haris Purnomo art

2006

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Uttaporn Nimmalaikaew
Thailand
Uttaporn Nimmalaikaew art
Schoeni Prize Winner
Lam Tung Pang
Hong Kong
Lam Tung Pang art

2005

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Tsang Kin Wah
Hong Kong
Tsang Kin Wah art
Schoeni Prize Winner
Yip Siu Ka
Hong Kong
Yip Siu Ka art

2004

Prize Winners and Previous Finalists arrow
Grand Prize Winner
Jeffrey du Vallier d’Aragon Aranita
Hong Kong
Jeffrey du Vallier d’Aragon Aranita art
Schoeni Prize Winner
Simon Birch
Hong Kong
Simon Birch art